Play Episode 7

Episode 7 of my podcasts is now released. This month we’re talking to Paul Dean from Crimson leaf, about the importance and the many applications of good copywriting. Also discussing the latest Apple announcements, the controversy surrounding Autotuning-gate, and could the popular iPhone (and now Android) game Angry Birds be coming to a cinema near you?

Or is it?

As most businesses have commonly agreed, August is typically the quiet month of the year, with everyone on holiday and not spending money. The thing is, for the bulk of the people I’ve been talking to recently, it’s quite the opposite; including me.

So far this past 4 weeks, I’ve had lots of enquiries, certainly no fewer than a regular month, and several placed orders, some of the work which has already happened this month, and a few sessions already booked for September. Not bad going for ‘the quiet month’!

This month has also seen me upgrade some of my audio kit, so I’m very pleased about that. I’m now the proud owner of a Neumann TLM 103, a common standard amongst many of us VO’s. Having used it quite a bit over the last few days, I have to say, I’m extremely pleased with the quality…..which naturally continues on to create a better overall product for the client.

So, here’s to the beginning, in a few days, of September, and may it continue to be busy for us all!

Richard Heathcote

Voice Over Artist & Audio Marketing

Episode 6 – July 2010 - “Smartphone Suicide, Subconscious Salespeople, & The Importance of Networking Your Business” (17m 6s)

In this episode, I talk about smartphone suicide, how Google has now discontinued plans for both the Google Nexus Two, and even the current Nexus One. I’m also giving my take on the situation with Apple and the iPhone 4 amongst ‘Antenna-gate’; and I’m talking to Stefan Thomas from No Red Braces, who’s giving us an insight as to why all businesses, both micro and massive should be networking now more than ever

Do Journalists Need Voice Over Artists?

By Richard Aucock

I’m a motoring journalist. For the past 10 years, the written word has ruled. First, magazines, and now increasingly, websites account for the vast majority of my content. But, things are changing – fast!

Increasingly, it’s important to harness video, too. On many sites, video earns a huge number of hits; publishers love the ability for the right clip to go viral, and editors know the huge potential for the ultimate aim of the publishing world – reader engagement.

Budgets are no larger, though. In the past, professional video productions have been filmed, at four-figure expense. They look great but the cost-v-return just didn’t add up. Nowadays, motoring publications are looking to journalist-generated footage to up the video content.

The quality isn’t top notch but readers accept it because of the ‘inside track’ perspective. It’s a nice addition to a regular written road test that ticks many social media boxes.

Problem is, we’re writers for a reason! Presentation techniques are a mystery to us – we can write, but stick us in front of a camera and we go to stilted, stifled, stiff-arm’d pieces. Some of us are worse than others; it’s often possible to get a few pieces to camera out of us, but any more than that is tricky.

A lot of this can be rectified back at base, with a good voiceover of footage we’ve shot on location. But, again, we’ve had no training here: could this be almost as bad?

Thus, the questions – do we need to employ a professional voiceover artist, and if so, in what context? Should this be for all productions? Do readers accept a less polished approach for shorter films, if the imagery and message is worth it? For longer productions, is a pro voiceover a must – and how do we justify the cost to our publishers? Should we consider training from a pro (and would this help us in front of the camera, too?), or would they be averse to offering this?

The pressure on us to generate video will only increase in the future. Rather than worry about it, what can we do to make it easier – and how can voiceover artists help? Advice appreciated!

A link to an example of a journalist doing video…:

30 May 2010

Richard Heathcote, Voice Over Artist

Episode 5 – May 2010 - “Audio Marketing, a Podcast Special Edition” (24m 14s)

This is a recording of a talk I recently made at a 4Networking event in Sutton Coldfield. I talk about the importance of businesses utilising audio in their marketing strategies, how it can open up massive new avenues of audience, for the people that are auditory learners, i.e. they absorb information better in audio form. I talk about podcasting, the power of the human voice, branding your company with audio, the immense reach of the iTunes podcast directory, and how businesses can easily implement audio in their current marketing plan.

Richard Heathcote, Voice Over Artist

One of my recent jobs was for a local PR and Marketing agency, to voice the narration for a documentary they were producing for schools distribution as an educational tool, to raise awareness in young people of Shaken Baby Syndrome.

The end result is a quite hard-hitting, very well made piece highlighting the dangers of SBS, and how even innocent play time with your child could easily cross over into being very damaging for their body, because babies are very fragile. I think it should be very effective in it’s delivery around the schools circuit.

This is a shortened version, for the benefit of YouTube’s time constraints.

Richard Heathcote, Voice Over Artist UK

Hopefully destined for a Sky TV channel, this is a TV promo that I recently voiced.

Richard Heathcote, Voice Over Artist

This is a recent project of mine, voiced for a betting facilities company in Ireland. I play several of the characters within this piece….

It’s certainly something a bit different for me, playing some animated characters. Rather fun!

Anyway, enjoy…..

Richard Heathcote, Voice Over Artist

Right Click To Download Episode 3 – Feb 2010 - “Top Sales Tips, The iPad, & New Mobile Tech” (26m 24s)

This episode we’re talking to Gary Gorman, a sales expert from Paradigm Training, and getting his top 5 sales tips to make you more effective in your business. We’re also talking about the new revolutionary device from Apple, the iPad, and how it could influence the tech market. We’re also taking a look at the new mobile devices from Windows and Google. Will they be game changers and be true competition for the iPhone? You decide.

Richard Heathcote, Voice Over Artist

Is It Worth Paying For A Voice Over Artist?

This may be a question that you’ve asked yourself before, or for a lot of you, it probably wouldn’t have even crossed your mind. But there is certainly a proportion of society that own businesses, or are in charge of high profile brands that must at times ask themselves this question. Is it worth paying for a professional voice over artist to promote their brand/company?

The simplest answer is of course, you get what you pay for. If you have a guy in the office who ‘has a pretty good speaking voice’, who you think should be the voice of your podcasts, or online/media/TV related promotional material, then fair play to you. Have you ever heard that person’s recorded material before? Do you trust them to be ‘the voice’ of the company/brand? Are you ok with the fact that when people hear that voice they’ll associate it with your company? These aren’t all negative points, far from. This counts as for better or indeed for worse. If they are for better, then excellent, give it a chance!

However, if they sound like a totally different person, which is actually more often the case, then you really should think about bringing in a professional; someone that is used to performing in front of a microphone. The thing is, when you put a regular person in a studio environment, in front of a professional studio microphone, it’s like sticking a big lens of a camera in someone’s face; it can be extremely off-putting. Some people tend to freeze, not know what to do or say, change the pattern of their speech, their tone, timbre, level, pitch, or worse, be completely monotone.

If this happens, you could have wasted time in the studio and need to rebook when the person has composed themself, or wait for a professional to take over!

The good thing with hiring a voice artist, is that we’re completely used to all this; We know how to handle a microphone, and chances are, we know exactly how to lift your script by performing the words that are on the page, rather than just simply ‘reading’ them. (A quality you don’t often get when audio tracks are home-made).

So, the next time you have a requirement for a voice track, be it a TV advert, a podcast, corporate video, web audio of any sort, the question you need to ask yourself is, in the long term, is it worth paying for a professional voice over artist? The answer is up to you.

Want more information? Check out my main website: www.richardheathcote.co.uk

Richard Heathcote, Voice Over Artist